5 Trustable Web Hosting Providers

Finding a web hosting provider has always been challenging and tasky. Today I am going to provide you with the review of 5 best web hosting providers in Pakistan and around the world. The list of these website hosting platforms were found the best during the journey of our website hosting company in Pakistan.

Bluehost

When it comes to website hosting in Pakistan we can never neglect the world’s one of the most popular providers Bluehost.

They have been providing hosting service around the globe and have proven to be the best option for when it comes to web hosting. Their customer support department is highly cooperative and easily accessible.

The most wonderful thing about Bluehost is their SEO tools. You can keep track of your visitors reaching you out through paid and unpaid channels. If you need to purchase a simple sharing plan and install WordPress it requires zero effort. It is just a click far from you.

Dreamhost

People usually prefer the most reasonable option and yet reliable for their website hosting. The Dreamhost is a highly recommended website hosting agency in Pakistan.

Unlike others they do not use a single Cpanel option instead they have a complete and comprehensive customize control panel and that is the thing which makes Dreamhost a distinguished website hosting company in Pakistan.

People specially like their user interface as it is very interactive and user friendly. Migrating off from Dreamhost is very easy as they provide a free plugin for this purpose.

Live chat for custom support is available in business hours while email support is for 24/7.

HostGator

Hostgator is one of the most trusted website hosting providers in Pakistan. As far as customer support is concerned they do not offer any email support instead they offer live call and live chat.

Apart from windows hosting they also provide Linux hosting and a range of options including cloud hosting, VPS hosting, managed WordPress, and a dedicated server. Hostgator possesses high ranking in tech publications like PC Mag and etc. I would recommend you make most of there 45 day money back guarantee and test their support mechanism.

A2 Hosting

A2 hosting is a widely used and trusted web hosting agency in Pakistan  and around the world.

It is famous due to its light speed and fastest response. They have 99 % uptime commitment in every plan so there is the least chance for your website to be down. 

They provide a free tool for migrating to some other platform thus you do not need to spend your precious time in rebuilding the website. They also offer a click installation option for CMS like Magento and WordPress.

Green Geeks

Green Geeks is one of the famous web hosting providers in Pakistan. They have gained a high reputation because of their eco-friendly technology. If you want to install your website on WordPress they provide one click solution for that.

One interesting thing about them is that they keep providing updates to keep your WordPress site updated. They also stay updated with the latest technologies like PHP7, SSD, CDN, and more. This makes your site fast and secure.

Understanding and accuracy of private soil

Today organic foods only account for about 2% of all food production. That is very low but experts believe that the future looks very good for it. More consumers are taking an interest in buying organic foods all the time. Grocery stores and farm markets are trying to keep up with the demand out there for such items as well. They want to supply consumers with what they are after so that they won’t do their shopping someplace else.

You may be wondering where the idea of organic foods started and how it has grown over time. Organic foods were the brainstorm of small farmers that wanted to offer great tasting food without the chemical process. They used only natural ingredients to be able to do this. Initially they only grew enough food for them to feed their families. From there the idea was to sell extras at roadside farm markets. Today there are larger farmers out there offering organic foods that you can buy at most grocery stores as well.

The decision to stay away from chemicals occurred back in the 1970’s. This was when many people were involved in the peace movements. Instead of working for other people they had large colonies where they would grow their own food and take care of the needs of those in them. These communities also wanted to keep the world clean and to avoid consuming products that weren’t good for them. As those movements ended their ideas stayed strong. 먹튀검증

It is believed that this process was in place in the late 1980’s but didn’t really take off until the 1990’s. However, if you really think about it organic farming is simply getting back to the basics. That is how farming was done in the early days before the introduction of commercial farming and chemicals to help them get large yields without the headaches of weeds and pests.

The main significance though is that what someone can grow on their own and consider to be organic in nature may not pass the guidelines for them to be sold commercially as so. The USDA is responsible for setting the strict standards for organic foods. They have to be met again and again with regular inspections in order to continue that verification being offered. One of the very strict guidelines for organic food is what can be used for compost.

It isn’t really known where in the world that idea of organic food processing really took place. It seems that the idea was going on in many countries all about the same time. What has changed though is the process for it. Even so, it is still one that requires plenty of people to take care of what needs to be done.

A great deal of money is made through the sales of organic foods though. This is part of why so many farmers are getting on board. They do want to offer people something better to eat and clean up the environment. They also know that consumers are looking strongly at organic foods. They want to make sure they offer it so that they don’t lose money with their conventional methods of farming that are in place right now.

Regardless of the origins of organic foods, they have changed the way that we will have such items produced in the future. They are going to be better for people due to the lack of chemical residue. The fact that more people are trying to eat healthy means that this can help them to have a great lifestyle now and into the future.

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Electronic music history pre-dates the rock and roll era by decades. Most of us were not even on this planet when it began its often obscure, under-appreciated and misunderstood development. Today, this ‘other worldly’ body of sound which began close to a century ago, may no longer appear strange and unique as new generations have accepted much of it as mainstream, but it’s had a bumpy road and, in finding mass audience acceptance, a slow one.

Many musicians – the modern proponents of electronic music – developed a passion for analogue synthesizers in the late 1970’s and early 1980’s with signature songs like Gary Numan’s breakthrough, ‘Are Friends Electric?’. It was in this era that these devices became smaller, more accessible, more user friendly and more affordable for many of us. In this article I will attempt to trace this history in easily digestible chapters and offer examples of today’s best modern proponents.

To my mind, this was the beginning of a new epoch. To create electronic music, it was no longer necessary to have access to a roomful of technology in a studio or live. how to get rid of captcha on omegle
Hitherto, this was solely the domain of artists the likes of Kraftwerk, whose arsenal of electronic instruments and custom built gadgetry the rest of us could only have dreamed of, even if we could understand the logistics of their functioning. Having said this, at the time I was growing up in the 60’s & 70’s, I nevertheless had little knowledge of the complexity of work that had set a standard in previous decades to arrive at this point.

The history of electronic music owes much to Karlheinz Stockhausen (1928-2007). Stockhausen was a German Avante Garde composer and a pioneering figurehead in electronic music from the 1950’s onwards, influencing a movement that would eventually have a powerful impact upon names such as Kraftwerk, Tangerine Dream, Brain Eno, Cabaret Voltaire, Depeche Mode, not to mention the experimental work of the Beatles’ and others in the 1960’s. His face is seen on the cover of “Sgt. Pepper’s Lonely Hearts Club Band”, the Beatles’ 1967 master Opus. Let’s start, however, by traveling a little further back in time. how to get rid of captcha on omegle

The Turn of the 20th Century

Time stood still for this stargazer when I originally discovered that the first documented, exclusively electronic, concerts were not in the 1970’s or 1980’s but in the 1920’s!

The first purely electronic instrument, the Theremin, which is played without touch, was invented by Russian scientist and cellist, Lev Termen (1896-1993), circa 1919.

In 1924, the Theremin made its concert debut with the Leningrad Philharmonic. Interest generated by the theremin drew audiences to concerts staged across Europe and Britain. In 1930, the prestigious Carnegie Hall in New York, experienced a performance of classical music using nothing but a series of ten theremins. Watching a number of skilled musicians playing this eerie sounding instrument by waving their hands around its antennae must have been so exhilarating, surreal and alien for a pre-tech audience!

For those interested, check out the recordings of Theremin virtuoso Clara Rockmore (1911-1998). Lithuanian born Rockmore (Reisenberg) worked with its inventor in New York to perfect the instrument during its early years and became its most acclaimed, brilliant and recognized performer and representative throughout her life.

In retrospect Clara, was the first celebrated ‘star’ of genuine electronic music. You are unlikely to find more eerie, yet beautiful performances of classical music on the Theremin. She’s definitely a favorite of mine!

Electronic Music in Sci-Fi, Cinema and Television

Unfortunately, and due mainly to difficulty in skill mastering, the Theremin’s future as a musical instrument was short lived. Eventually, it found a niche in 1950’s Sci-Fi films. The 1951 cinema classic “The Day the Earth Stood Still”, with a soundtrack by influential American film music composer Bernard Hermann (known for Alfred Hitchcock’s “Psycho”, etc.), is rich with an ‘extraterrestrial’ score using two Theremins and other electronic devices melded with acoustic instrumentation.

Using the vacuum-tube oscillator technology of the Theremin, French cellist and radio telegraphist, Maurice Martenot (1898-1980), began developing the Ondes Martenot (in French, known as the Martenot Wave) in 1928.

Employing a standard and familiar keyboard which could be more easily mastered by a musician, Martenot’s instrument succeeded where the Theremin failed in being user-friendly. In fact, it became the first successful electronic instrument to be used by composers and orchestras of its period until the present day.

It is featured on the theme to the original 1960’s TV series “Star Trek”, and can be heard on contemporary recordings by the likes of Radiohead and Brian Ferry.

The expressive multi-timbral Ondes Martenot, although monophonic, is the closest instrument of its generation I have heard which approaches the sound of modern synthesis.

“Forbidden Planet”, released in 1956, was the first major commercial studio film to feature an exclusively electronic soundtrack… aside from introducing Robbie the Robot and the stunning Anne Francis! The ground-breaking score was produced by husband and wife team Louis and Bebe Barron who, in the late 1940’s, established the first privately owned recording studio in the USA recording electronic experimental artists such as the iconic John Cage (whose own Avante Garde work challenged the definition of music itself!).

The Barrons are generally credited for having widening the application of electronic music in cinema. A soldering iron in one hand, Louis built circuitry which he manipulated to create a plethora of bizarre, ‘unearthly’ effects and motifs for the movie. Once performed, these sounds could not be replicated as the circuit would purposely overload, smoke and burn out to produce the desired sound result.

Consequently, they were all recorded to tape and Bebe sifted through hours of reels edited what was deemed usable, then re-manipulated these with delay and reverberation and creatively dubbed the end product using multiple tape decks.

In addition to this laborious work method, I feel compelled to include that which is, arguably, the most enduring and influential electronic Television signature ever: the theme to the long running 1963 British Sci-Fi adventure series, “Dr. Who”. It was the first time a Television series featured a solely electronic theme. The theme to “Dr. Who” was created at the legendary BBC Radiophonic Workshop using tape loops and test oscillators to run through effects, record these to tape, then were re-manipulated and edited by another Electro pioneer, Delia Derbyshire, interpreting the composition of Ron Grainer.

As you can see, electronic music’s prevalent usage in vintage Sci-Fi was the principle source of the general public’s perception of this music as being ‘other worldly’ and ‘alien-bizarre sounding’. This remained the case till at least 1968 with the release of the hit album “Switched-On Bach” performed entirely on a Moog modular synthesizer by Walter Carlos (who, with a few surgical nips and tucks, subsequently became Wendy Carlos).

The 1970’s expanded electronic music’s profile with the break through of bands like Kraftwerk and Tangerine Dream, and especially the 1980’s when it found more mainstream acceptance.

The Mid 1900’s: Musique Concrete

In its development through the 1900’s, electronic music was not solely confined to electronic circuitry being manipulated to produce sound. Back in the 1940’s, a relatively new German invention – the reel-to-reel tape recorder developed in the 1930’s – became the subject of interest to a number of Avante Garde European composers, most notably the French radio broadcaster and composer Pierre Schaeffer (1910-1995) who developed a montage technique he called Musique Concrete.

Musique Concrete (meaning ‘real world’ existing sounds as opposed to artificial or acoustic ones produced by musical instruments) broadly involved the splicing together of recorded segments of tape containing ‘found’ sounds – natural, environmental, industrial and human – and manipulating these with effects such as delay, reverb, distortion, speeding up or slowing down of tape-speed (varispeed), reversing, etc.

Stockhausen actually held concerts utilizing his Musique Concrete works as backing tapes (by this stage electronic as well as ‘real world’ sounds were used on the recordings) on top of which live instruments would be performed by classical players responding to the mood and motifs they were hearing!

Musique Concrete had a wide impact not only on Avante Garde and effects libraries, but also on the contemporary music of the 1960’s and 1970’s. Important works to check are the Beatles’ use of this method in ground-breaking tracks like ‘Tomorrow Never Knows’, ‘Revolution No. 9’ and ‘Being for the Benefit of Mr. Kite’, as well as Pink Floyd albums “Umma Gumma”, “Dark Side of the Moon” and Frank Zappa’s “Lumpy Gravy”. All used tape cut-ups and home-made tape loops often fed live into the main mixdown.

Today this can be performed with simplicity using digital sampling, but yesterday’s heroes labored hours, days and even weeks to perhaps complete a four minute piece! For those of us who are contemporary musicians, understanding the history of electronic music helps in appreciating the quantum leap technology has taken in the recent period. But these early innovators, these pioneers – of which there are many more down the line – and the important figures they influenced that came before us, created the revolutionary groundwork that has become our electronic musical heritage today and for this I pay them homage!

1950’s: The First Computer and Synth Play Music

Moving forward a few years to 1957 and enter the first computer into the electronic mix. As you can imagine, it wasn’t exactly a portable laptop device but consumed a whole room and user friendly wasn’t even a concept. Nonetheless creative people kept pushing the boundaries. One of these was Max Mathews (1926 -) from Bell Telephone Laboratories, New Jersey, who developed Music 1, the original music program for computers upon which all subsequent digital synthesis has its roots based. Mathews, dubbed the ‘Father of Computer Music’, using a digital IBM Mainframe, was the first to synthesize music on a computer.

In the climax of Stanley Kubrik’s 1968 movie ‘2001: A Space Odyssey’, use is made of a 1961 Mathews’ electronic rendition of the late 1800’s song ‘Daisy Bell’. Here the musical accompaniment is performed by his programmed mainframe together with a computer-synthesized human ‘singing’ voice technique pioneered in the early 60’s. In the movie, as HAL the computer regresses, ‘he’ reverts to this song, an homage to ‘his’ own origins.

1957 also witnessed the first advanced synth, the RCA Mk II Sound Synthesizer (an improvement on the 1955 original). It also featured an electronic sequencer to program music performance playback. This massive RCA Synth was installed, and still remains, at the Columbia-Princeton Electronic Music Center, New York, where the legendary Robert Moog worked for a while. Universities and Tech laboratories were the main home for synth and computer music experimentation in that early era.

1960’s: The Dawning of The Age of Moog

The logistics and complexity of composing and even having access to what were, until then, musician unfriendly synthesizers, led to a demand for more portable playable instruments. One of the first to respond, and definitely the most successful, was Robert Moog (1934-2005). His playable synth employed the familiar piano style keyboard.

Moog’s bulky telephone-operators’ cable plug-in type of modular synth was not one to be transported and set up with any amount of ease or speed! But it received an enormous boost in popularity with the success of Walter Carlos, as previously mentioned, in 1968. His LP (Long Player) best seller record “Switched-On Bach” was unprecedented because it was the first time an album appeared of fully synthesized music, as opposed to experimental sound pieces.

The album was a complex classical music performance with various multi-tracks and overdubs necessary, as the synthesizer was only monophonic! Carlos also created the electronic score for “A Clockwork Orange”, Stanley Kubrik’s disturbing 1972 futuristic film.

From this point, the Moog synth is prevalent on a number of late 1960’s contemporary albums. In 1967 the Monkees’ “Pisces, Aquarius, Capricorn & Jones Ltd” became the first commercial pop album release to feature the modular Moog. In fact, singer/drummer Mickey Dolenz purchased one of the very first units sold.

It wasn’t until the early 1970’s, however, when the first Minimoog appeared that interest seriously developed amongst musicians. This portable little unit with a fat sound had a significant impact becoming part of live music kit for many touring musicians for years to come. Other companies such as Sequential Circuits, Roland and Korg began producing their own synths, giving birth to a music subculture.

I cannot close the chapter on the 1960’s, however, without reference to the Mellotron. This electronic-mechanical instrument is often viewed as the primitive precursor to the modern digital sampler.

Developed in early 1960’s Britain and based on the Chamberlin (a cumbersome US-designed instrument from the previous decade), the Mellotron keyboard triggered pre-recorded tapes, each key corresponding to the equivalent note and pitch of the pre-loaded acoustic instrument.

The Mellotron is legendary for its use on the Beatles’ 1966 song ‘Strawberry Fields Forever’. A flute tape-bank is used on the haunting introduction played by Paul McCartney.

The instrument’s popularity burgeoned and was used on many recordings of the era such as the immensely successful Moody Blues epic ‘Nights in White Satin’. The 1970’s saw it adopted more and more by progressive rock bands. Electronic pioneers Tangerine Dream featured it on their early albums.

With time and further advances in microchip technology though, this charming instrument became a relic of its period.

1970’s: The Birth of Vintage Electronic Bands

The early fluid albums of Tangerine Dream such as “Phaedra” from 1974 and Brian Eno’s work with his self-coined ‘ambient music’ and on David Bowie’s “Heroes” album, further drew interest in the synthesizer from both musicians and audience.

Kraftwerk, whose 1974 seminal album “Autobahn” achieved international commercial success, took the medium even further adding precision, pulsating electronic beats and rhythms and sublime synth melodies. Their minimalism suggested a cold, industrial and computerized-urban world. They often utilized vocoders and speech synthesis devices such as the gorgeously robotic ‘Speak and Spell’ voice emulator, the latter being a children’s learning aid!

While inspired by the experimental electronic works of Stockhausen, as artists, Kraftwerk were the first to successfully combine all the elements of electronically generated music and noise and produce an easily recognizable song format. The addition of vocals in many of their songs, both in their native German tongue and English, helped earn them universal acclaim becoming one of the most influential contemporary music pioneers and performers of the past half-century.

Kraftwerk’s 1978 gem ‘Das Modell’ hit the UK number one spot with a reissued English language version, ‘The Model’, in February 1982, making it one of the earliest Electro chart toppers!

Ironically, though, it took a movement that had no association with EM (Electronic Music) to facilitate its broader mainstream acceptance. The mid 1970’s punk movement, primarily in Britain, brought with it a unique new attitude: one that gave priority to self-expression rather than performance dexterity and formal training, as embodied by contemporary progressive rock musicians. The initial aggression of metallic punk transformed into a less abrasive form during the late 1970’s: New Wave. This, mixed with the comparative affordability of many small, easy to use synthesizers, led to the commercial synth explosion of the early 1980’s.

A new generation of young people began to explore the potential of these instruments and began to create soundscapes challenging the prevailing perspective of contemporary music. This didn’t arrive without battle scars though. The music industry establishment, especially in its media, often derided this new form of expression and presentation and was anxious to consign it to the dustbin of history.

1980’s: The First Golden Era of Electronic Music for the Masses

Gary Numan became arguably the first commercial synth megastar with the 1979 “Tubeway Army” hit ‘Are Friends Electric?’. The Sci-Fi element is not too far away once again. Some of the imagery is drawn from the Science Fiction classic, “Do Androids Dream of Electric Sheep?”. The 1982 hit film “Blade Runner” was also based on the same book.

Although ‘Are Friends Electric?’ featured conventional drum and bass backing, its dominant use of Polymoogs gives the song its very distinctive sound. The recording was the first synth-based release to achieve number one chart status in the UK during the post-punk years and helped usher in a new genre. No longer was electronic and/or synthesizer music consigned to the mainstream sidelines. Exciting!

Further developments in affordable electronic technology placed electronic squarely in the hands of young creators and began to transform professional studios.

Designed in Australia in 1978, the Fairlight Sampler CMI became the first commercially available polyphonic digital sampling instrument but its prohibitive cost saw it solely in use by the likes of Trevor Horn, Stevie Wonder and Peter Gabriel. By mid-decade, however, smaller, cheaper instruments entered the market such as the ubiquitous Akai and Emulator Samplers often used by musicians live to replicate their studio-recorded sounds. The Sampler revolutionized the production of music from this point on.

In most major markets, with the qualified exception of the US, the early 1980’s was commercially drawn to electro-influenced artists. This was an exciting era for many of us, myself included. I know I wasn’t alone in closeting the distorted guitar and amps and immersing myself into a new universe of musical expression – a sound world of the abstract and non traditional.

At home, Australian synth based bands Real Life (‘Send Me An Angel’, “Heartland” album), Icehouse (‘Hey Little Girl’) and Pseudo Echo (‘Funky Town’) began to chart internationally, and more experimental electronic outfits like Severed Heads and SPK also developed cult followings overseas.

But by mid-decade the first global electronic wave lost its momentum amidst resistance fomented by an unrelenting old school music media. Most of the artists that began the decade as predominantly electro-based either disintegrated or heavily hybrid their sound with traditional rock instrumentation.

The USA, the largest world market in every sense, remained in the conservative music wings for much of the 1980’s. Although synth-based records did hit the American charts, the first being Human League’s 1982 US chart topper ‘Don’t You Want Me Baby?’, on the whole it was to be a few more years before the American mainstream embraced electronic music, at which point it consolidated itself as a dominant genre for musicians and audiences alike, worldwide.

1988 was somewhat of a watershed year for electronic music in the US. Often maligned in the press in their early years, it was Depeche Mode that unintentionally – and mostly unaware – spearheaded this new assault. From cult status in America for much of the decade, their new high-play rotation on what was now termed Modern Rock radio resulted in mega stadium performances. An Electro act playing sold out arenas was not common fare in the USA at that time!

In 1990, fan pandemonium in New York to greet the members at a central record shop made TV news, and their “Violator” album outselling Madonna and Prince in the same year made them a US household name. Electronic music was here to stay, without a doubt!

1990’s Onward: The Second Golden Era of Electronic Music for the Masses

Before our ‘star music’ secured its hold on the US mainstream, and while it was losing commercial ground elsewhere throughout much of the mid 1980’s, Detroit and Chicago became unassuming laboratories for an explosion of Electronic Music which would see out much of the 1990’s and onwards. Enter Techno and House.

Detroit in the 1980’s, a post-Fordism US industrial wasteland, produced the harder European influenced Techno. In the early to mid 80’s, Detroiter Juan Atkins, an obsessive Kraftwerk fan, together with Derrick May and Kevin Saunderson – using primitive, often borrowed equipment – formed the backbone of what would become, together with House, the predominant music club-culture throughout the world. Heavily referenced artists that informed early Techno development were European pioneers such as the aforementioned Kraftwerk, as well as Yello and British Electro acts the likes of Depeche Mode, Human League, Heaven 17, New Order and Cabaret Voltaire.

Chicago, a four-hour drive away, simultaneously saw the development of House. The name is generally considered to be derived from “The Warehouse” where various DJ-Producers featured this new music amalgam. House has its roots in 1970’s disco and, unlike Techno, usually has some form of vocal. I think Giorgio Moroder’s work in the mid 70’s with Donna Summer, especially the song ‘I Feel Love’, is pivotal in appreciating the 70’s disco influences upon burgeoning Chicago House.

A myriad of variants and sub genres have developed since – crossing the Atlantic, reworked and back again – but in many ways the popular success of these two core forms revitalized the entire Electronic landscape and its associated social culture. Techno and House helped to profoundly challenge mainstream and Alternative Rock as the preferred listening choice for a new generation: a generation who has grown up with electronic music and accepts it as a given. For them, it is music that has always been.

The history of electronic music continues to be written as technology advances and people’s expectations of where music can go continues to push it forward, increasing its vocabulary and lexicon.

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You could use this process for any subject. Obviously, Maths is a key area for quizzes. I have included some Maths questions below as well as some non-Maths ones to give you some idea of how I use ‘The Quiz.’ You, too, can build up your own bank of questions to use.

Remember, they need to include questions from the simple to the complex or more difficult. For difficult questions, I will often give clues and/or more points for a correct answer. The mental arithmetic approach taken in the quiz is designed to encourage students to become powerful listeners and to give them experience in problem solving/critical thinking in a fun, non-threatening environment.

The Procedure:

  1. The quiz can be a competition between boys and girls.
  2. Points are given for correct answers and totalled for boys and girls after each question.
  3. Points can be doubled or tripled for more difficult questions.
  4. Students who are caught cheating have double points deducted from their team score.
  5. Anyone with a pencil in hand when the answer is given is declared wrong. This is to prevent students writing in the answer and claiming a right answer. No ticks are required for correct answers or crosses for an incorrect one.
  6. Use the mental arithmetic procedure to create a discipline environment and to encourage students to develop their listening and watching skills. (See below for the mental arithmetic procedure).
  7. For a critical thinking/problem solving quiz, give the answer after each question and explain how you arrived at the answer.
  8. Try to make these sorts of questions fun as well as challenging. Questions with a twist and which require concentrated listening work best. The questions don’t need ‘difficult’ thinking all the time but rather require different thinking.
  9. Below are two fun Maths questions to give you an idea of what I mean.

A. One day I saw a horse standing on three legs so I weighed him. I found he weighed 300 kilograms. The next day he was standing on four legs so again I put him on the scales. What do you think he weighed on four legs? (Most answer 400 kg. The answer is 300 kg.)

B. How many months of the year have 30 days? (Most say 4. The answer is 11 as February is the only month that doesn’t have 30 days.)

  1. Here are two non-Maths questions.

If you spelt out the numbers (one by one from 1) how far would you have to go before you found the letter “A”? (Answer: 1000)
You have one match. รับทำ seo You enter a room that contains a wood-burning stove, a kerosene lamp, and a fireplace. Which do you light first? (Answer: The match).
The Mental Arithmetic Procedure:

There are the rules that students are given when doing the mental arithmetic quiz.

Firstly, the students:

Write the numbers 1 -10 vertically, one under the other, on your pads. (10 can be any number you have time for);
Put your pencils on your pad; and
Find something to put over your answers to hide them from roaming eyes.
Before the questions are given, students are given these instructions:

Arms are folded – questions are given.
When the student knows the answer, he/she puts his/her hands on his/her head.
When enough students have the answer, the teacher calls, “Answers down.”
When the answers are written, teacher calls, “Pencils down.” The student then covers the answer, puts pencil down and again folds arms.
The answer is given and the score for each team is noted on the board.
When all the questions are completed, the answers are corrected and results totalled; the teacher multiplies the boys’ score by the number of girls to get the boys’ final total and does the reverse to get the girls’ final score. Then the winning team is announced.
Please Note:

The ‘arms folded, hands on head’, is designed to develop self-discipline as well as mental discipline. (It prevents the students picking up their pencils to work it out).
The time you give students for each question depends on the difficulty as well as the students’ ability.
Wherever possible, teach students shortcuts and/or ways to check/estimate answers.
Teach your students listening skills, e.g. look directly at the teacher, watching their face/mouth and body language.
Don’t repeat questions more than twice unless a mistake has been made.
I have found that students in primary school and lower secondary school classes love the competitive nature of The Quiz as well as the different types of questions from the normal ones they are given. You can add a further dimension to the quiz by challenging the students to aim at getting 100% correct. When you do this, begin with easy questions first and gradually increase the difficulty as you go. This will keep more students involved in this challenge. After each question, ask who still has 100% correct and continue to challenge those with one wrong to aim to get no more wrong.

I have used a short quiz to start the lesson or one to finish the lesson when I have time left. How long or short the quiz is depends on the time you have available or the purpose of the quiz. My advice is to have it at random times and as a reward for the class.

Our author, Rick Boyce, has, over 45 years, used The Quiz extensively as a learning tool. He was fortunate that during his early career, he taught a variety of subjects in junior high classes where he learnt to use The Quiz extensively.

In recent years, as a relief teacher, he found that primary school students love “The Quiz” used in a ‘competitive situation’, e.g. a girls v boys quiz. It has helped him develop a rapport with his classes. For more on “The Quiz”, email rickboyce@bigpond.com. It offers examples of the types of quizzes that our author used during his career.

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อยู่ในงานปาร์ตี้คาสิโนและวางแผนธุรกิจมาหลายปีฉันได้ยินเรื่องราวที่น่าเศร้ามากจากลูกค้าเกี่ยวกับสิ่งที่เกิดขึ้นที่ผู้ระดมทุนคาสิโนของพวกเขาและฉันอยากจะส่งต่อให้คุณ 7 ขั้นตอนที่คุณต้องปฏิบัติตามเพื่อให้แน่ใจว่าคุณมีเงินทุนคาสิโนที่ประสบความสำเร็จ และจ้าง บริษัท ปาร์ตี้คาสิโนที่ดีที่สุดสำหรับงานของคุณ

ขั้นตอนที่ 1. คณะกรรมการวางแผน นี่เป็นขั้นตอนที่สำคัญที่สุดในการวางแผนของคุณและคุณต้องมอบหมายงานให้กับแต่ละคนในแต่ละงานที่ต้องทำให้สำเร็จสำหรับงานของคุณซึ่งรวมถึงกฎหมายและการได้รับใบอนุญาตที่เหมาะสมการค้นหาสถานที่และการจัดเลี้ยงสำหรับงานการรับสปอนเซอร์ เพื่อช่วยค่าใช้จ่ายรับของขวัญบริจาคค้นหา บริษัท คาสิโนที่ถูกต้องและใครจะเป็นคนจัดการเงิน เป็นไปไม่ได้ที่คน ๆ เดียวจะจัดการกับสิ่งของข้างต้นทั้งหมด วิธีเดียวที่ประสบความสำเร็จคือให้คนหนึ่งคนรับผิดชอบในแต่ละรายการปล่อยให้พวกเขาทำงานตามลำพัง แต่ให้พวกเขารายงานความคืบหน้าให้ผู้ที่ได้รับมอบหมายให้รับผิดชอบงานนั้นบ่อยๆ คุณจะต้องใช้เวลามากมายในการทำงานทั้งหมดให้สำเร็จฉันควรกำหนดกรอบเวลาที่ดีในการเริ่มต้นคือ 4-6 เดือนก่อนวันงาน

ขั้นตอนที่ 2. กฎหมายและการได้รับใบอนุญาตผู้ระดมทุนและการอนุญาตให้เข้าเมือง จำไว้เสมอว่าการพนันเป็นสิ่งผิดกฎหมายและการมีเกมคาสิโนที่ผู้ระดมทุนของคุณเป็นการพนัน นี่เป็นสิ่งสำคัญเนื่องจากผู้ระดมทุนของคาสิโนไม่เหมือนกับการจับล้างรถเพื่อระดมทุน เนื่องจากการพนันเป็นสิ่งผิดกฎหมายจึงมีหน่วยงานของรัฐที่รับผิดชอบในการหยุดการพนันที่ผิดกฎหมายซึ่งหมายความว่าผู้ระดมทุนคาสิโนของคุณจะตกอยู่ภายใต้ข้อยกเว้นของกฎหมายการพนัน ลองดูนิวเจอร์ซีย์เป็นตัวอย่าง หน่วยงานของรัฐ ABC (การควบคุมเครื่องดื่มแอลกอฮอล์) มีหน้าที่รับผิดชอบในการค้นหาและป้องกันการพนันที่ผิดกฎหมายน่าเสียดายที่หนังสือคู่มือของพวกเขาไม่ได้กล่าวถึงการพนันที่ผิดกฎหมายหรือข้อยกเว้นของกฎหมายการพนันกล่าวเพียงว่าเป็นการพนันและมีบางครั้งที่หนึ่งในพวกเขา ผู้ตรวจสอบพยายามที่จะหยุดการระดมทุนของคาสิโนที่อ้างว่าเป็นการพนัน สถานการณ์ได้รับการแก้ไขก่อนวันที่จัดงานเพราะจุดที่สองฉันต้องการให้คุณจำไว้ แม้ว่าผู้ระดมทุนคาสิโนของคุณจะเล่นการพนันและการพนันผิดกฎหมาย แต่คุณก็ตกอยู่ภายใต้ข้อยกเว้นของกฎหมายการพนันตามกฎหมายของรัฐ ในรัฐนิวเจอร์ซีย์สภานิติบัญญัติของรัฐได้สร้างกฎเกณฑ์เพื่ออนุญาตให้มีการพนันคาสิโนและได้สร้างคณะกรรมการควบคุมคาสิโนเพื่อดูแลกิจกรรมดังกล่าวพวกเขายังได้สร้างกฎเกณฑ์เพื่อให้ผู้ระดมทุนคาสิโนและสร้าง Games of Chance Control Commission ที่ถูกต้องตามกฎหมายเพื่อดูแลผู้ระดมทุนคาสิโน ประเด็นที่ฉันต้องการให้คุณทำจากทั้งหมดนี้คือการทำให้ผู้ระดมทุนคาสิโนของคุณถูกกฎหมายคุณต้องเข้าใจกฎหมายและได้รับใบอนุญาตและการอนุญาตในเขตเมืองที่เหมาะสมสำหรับเหตุการณ์นี้ เพียงเพราะคุณเป็นองค์กรไม่แสวงหาผลกำไร 501 (c) 3 และเคยมีการล้างรถเพื่อระดมทุนไม่ได้หมายความว่าคุณสามารถมีผู้ระดมทุนคาสิโนได้เพียงเพราะมันดูเหมือนเป็นความคิดที่ดี ดังนั้นเมื่อถึงจุดนี้คุณควรเข้าใจว่าควรโทรติดต่อสำนักงานอัยการสูงสุดของรัฐของคุณเพื่อค้นหากฎหมายในรัฐของคุณเพื่อให้มีผู้ระดมทุนคาสิโน
ขั้นตอนที่ 3. บริษัท คาสิโนที่ดีที่สุด ข้อกำหนดการออกใบอนุญาตที่จำเป็นสำหรับคุณอาจกำหนดให้ บริษัท คาสิโนต้องได้รับใบอนุญาต มีหลายครั้งในรัฐนิวเจอร์ซีย์ที่องค์กรไม่แสวงหาผลกำไรเรียกว่า บริษัท ปาร์ตี้คาสิโนและทั้งสองฝ่ายไม่ทราบกฎหมายที่ส่งผลให้เหตุการณ์นี้ถูกหยุดและถูกปรับ แต่ละรัฐมีความแตกต่างกันและในนิวเจอร์ซีย์ บริษัท คาสิโนและตัวแทนจำหน่ายทั้งหมดจะต้องมีใบอนุญาตผู้ระดมทุนคาสิโน ดังนั้นประเด็นสำคัญที่นี่คือการเรียนรู้ข้อกำหนดด้วยตัวคุณเองก่อนโดยโทรไปที่หน่วยงานของรัฐจากนั้นคุณเริ่มโทรหา บริษัท คาสิโนและถามพวกเขาว่าต้องมีผู้ระดมทุนคาสิโน บริษัท จัดเลี้ยงคาสิโนที่ดีจะถามคุณว่าคุณมีใบอนุญาตหรือไม่และสามารถส่งอีเมลถึงคุณแบบฟอร์มที่จำเป็นในการขอรับใบอนุญาตได้หรือไม่ พวกเขาควรแนะนำคุณตลอดทุกแง่มุมในการขอใบอนุญาตและการขออนุญาตในเมือง หากพวกเขาไม่ช่วยเหลือคุณหรืออธิบายกฎก็อาจไม่เข้าใจและนั่นอาจเป็นหายนะที่รอให้เกิดขึ้น

ขั้นตอนที่ 4. ใครเป็นผู้จัดกิจกรรมของคุณ ทำความเข้าใจว่ามี บริษัท ปาร์ตี้คาสิโนที่โฆษณาในพื้นที่และบาง บริษัท ที่ทำในระดับประเทศ จากประสบการณ์ของฉัน บริษัท ในพื้นที่ดีที่สุดสำหรับคุณเพราะ บริษัท ระดับชาติอาจไม่ทราบกฎหมายที่คุณระบุ ที่แย่กว่านั้นคือ บริษัท ระดับชาติจะไม่มาทำกิจกรรมของคุณ สิ่งที่พวกเขาทำคือโทรหา บริษัท ในพื้นที่รับใบเสนอราคาจากพวกเขาและเพิ่มเงินหลายร้อยดอลลาร์ในใบเรียกเก็บเงินเพื่อรับสายโทรศัพท์ของคุณและ บริษัท ในพื้นที่คือผู้ที่จะทำกิจกรรมของคุณและพวกเขาจะให้ใบเสนอราคาแก่คุณ น้อยกว่า บริษัท ระดับชาติ เมื่อคุณดูแต่ละ บริษัท คุณจะเห็นบาง บริษัท ที่มีรูปถ่ายของดาราภาพยนตร์และผู้คนที่สนุกสนานในคาสิโนที่หน้าแรกของเว็บไซต์ ลืมเนื้อหาทั้งหมดที่ออกแบบมาเพื่อดึงดูดคุณเพราะมันไม่สำคัญ เมื่อคุณได้รับใบเสนอราคาจาก บริษัท ปาร์ตี้คาสิโนคุณอาจได้รับ 3 หรือ 4 ที่อยู่ในช่วงทั่วไปเดียวกันและ 1 หรือ 2 ที่สูงกว่าที่อื่น ๆ มาก ลองยกตัวอย่างและบอกว่าคุณได้รับใบเสนอราคา $ 1,000, $ 1100, $ 1200 และ $ 2000 มันไม่สมเหตุสมผลเลยที่คำพูด 3 รายการอยู่ในช่วงเดียวกันและหนึ่งคำพูดนั้นสูงกว่ามากและนั่นเป็นเพราะคำพูดที่สูงมากนั้นมาจาก บริษัท ระดับชาติที่จะไม่ทำกิจกรรมของคุณเพราะพวกเขาจะโทรหา บริษัท ในพื้นที่ที่ ให้ใบเสนอราคาที่ต่ำกว่าแก่คุณในตอนแรกจากนั้นเพิ่มเงินพิเศษในใบเรียกเก็บเงิน คาสิโน

ขั้นตอนที่ 5. ตารางคาสิโน มีกฎทั่วไปที่ต้องปฏิบัติตามคือคุณต้องการให้แขกประมาณ 70 เปอร์เซ็นต์ของคุณสามารถเล่นได้ คุณสามารถแก้ไขกฎนี้ได้ แต่ฉันจะเล่นไม่ถึง 50 เปอร์เซ็นต์ บริษัท คาสิโนควรแนะนำคุณในเรื่องนี้ พวกเขาควรติดต่อกับคุณอย่างสม่ำเสมอในสัปดาห์ที่นำไปสู่เหตุการณ์เพื่อแก้ไขตารางหากจำเป็น สมมติว่างานของคุณมีแขก 300 คน แต่ในสัปดาห์ที่แล้วคุณรู้ว่าจะมีเพียง 200 คนเท่านั้น บริษัท คาสิโนที่มีชื่อเสียงจะแนะนำให้คุณลดจำนวนโต๊ะ บริษัท คาสิโนที่ไม่ดีจะต้องการให้คุณอยู่กับคำแนะนำเดิมเพราะพวกเขาจะทำเงินได้มากขึ้น กล่าวง่ายๆว่า บริษัท ปาร์ตี้คาสิโนที่ดีที่สุดต้องการให้คุณมีจำนวนโต๊ะที่ถูกต้องและไม่มากหรือน้อยเกินไปและพวกเขาไม่ควรทำกำไรเกินความต้องการในการระดมทุนของคุณ ตอนนี้เรามาดูตารางคาสิโนที่จะใช้สำหรับงานของคุณ นี่เป็นความคิดของฉันในฐานะตัวแทนจำหน่ายที่ได้รับใบอนุญาต แต่ บริษัท คาสิโนที่ดีที่สุดมีอุปกรณ์ใหม่ที่ไม่มีขาโลหะพับและ / หรือใช้รอบใต้โต๊ะเพื่อซ่อนขาโลหะ ถามตัวเองว่าทำไมคาสิโนจริงไม่ใช้ขาพับโลหะบนโต๊ะของพวกเขา โต๊ะเล่นลูกเต๋าชนิดหนึ่งหรือรูเล็ตมีน้ำหนักมากถึง 14 คนที่ทุกคนเอนตัวและขยับน้ำหนักบนโต๊ะ บางทีนั่นอาจเป็นเหตุผลที่คุณไม่ควรวางขาพับโลหะไว้บนโต๊ะเพราะคุณไม่อยากเสี่ยงที่โต๊ะจะพัง ฉันจะไม่เล่นลูกเต๋าชนิดหนึ่งหรือรูเล็ตบนโต๊ะที่มีขาพับโลหะ ประเด็นที่ฉันอยากให้คุณจำไว้ตรงนี้ก็คือคุณควรให้ บริษัท จัดงานเลี้ยงคาสิโนเขียนเป็นลายลักษณ์อักษรว่าพวกเขาจะเป็น บริษัท ที่ทำกิจกรรมของคุณและจะไม่รับเหมาช่วงให้กับ บริษัท อื่น นอกจากนี้คุณควรกำหนดให้ บริษัท คาสิโนจัดเตรียมรูปถ่ายของโต๊ะจริงที่พวกเขาจะใช้ในงาน เป็นเรื่องดีถ้าพวกเขาสามารถแสดงตารางบนเว็บไซต์ของพวกเขาได้ แต่ฉันจะถามตัวเองว่าทำไม บริษัท คาสิโนไม่มีรูปถ่ายของตารางบนเว็บไซต์ ไม่รับ บริษัท ที่มีรูปถ่ายด้านบนของโต๊ะที่มีคนสนุกสนานเพราะนั่นไม่ได้แสดงขาโต๊ะซึ่งฉันถือว่าเป็นส่วนที่สำคัญที่สุด

ใครจะเป็นคนจัดการเงิน มีกฎสำคัญในการระดมทุนของคาสิโนที่คุณไม่อนุญาตให้ บริษัท คาสิโนแตะเงิน โปรดทราบว่าอาจมีเงินหลายพันดอลลาร์อยู่ที่นั่นและคุณต้องการลบสิ่งล่อใจและข้อกล่าวหาที่เป็นไปได้ทั้งหมด บริษัท คาสิโนที่ยอดเยี่ยมจะแนะนำวิธีการตั้ง “ธนาคาร” และวิธีที่ตัวแทนของคุณเท่านั้นที่จะสัมผัสเงิน มีบางแง่มุมของตอนเย็นที่หัวหน้าหลุมของ บริษัท คาสิโนจะทำสิ่งต่างๆเพื่อช่วยส่งเสริมการบริจาคเพิ่มเติมโดยการทำชิปพิเศษให้กับแขกของคุณหากพวกเขาบริจาคเงินมากขึ้นในแต่ละโต๊ะ แต่ควรทำทีละโต๊ะเท่านั้น ตัวแทนของคุณยืนอยู่ข้างๆพวกเขา

Watch Movies Online For Better Sound and Video Quality

One of the most searched terms is “watch free movies online”. This indicates that many people are searching for a way to watch their favorite movies without having to pay for expensive monthly cable subscriptions.

Although it is understandable, given the ridiculously expensive cable and satellite fees, it can not be justified in the light of the indirect costs that come with it.

There are websites on the Internet that offer the opportunity to watch movies online for free. The truth is that there is a huge cost that comes with using those sites.

For one, it is illegal. And those sites are violating the law by publishing those movies on their sites. And if you pay close attention those copies are pirated. It is more clear in case of newly released movies. You will find that the copy they are displaying is taped by a camera in a movie theatre!

By using those sites you are supporting an illegal activity.

They don’t make money straight from you as a user, but they place ads from shady ads networks who allow any kind of ads.

Some are also running scams on their sites.

For instance, one of the sites was allowing a few loads before a script on the site takes control of your screen and gives you a message that your computer has been identified for illegal display and distribution of copyrighted material and that the police is on the way to arrest you and seize the computer, which is now frozen on the act you were doing (the illegal one they mentioned earlier).

After you try to get out of the site or do anything just to find out that your computer is not responding you start to believe them. The next message will ask you to pay the fine, usually hundreds of dollars, if you want to gain control back on your computer.

The software gives you the opportunity to pay online and of course some people respond and pay them. หนังใหม่ And when they mention it to their friends they discover that they have been scammed.

Some of the sites that offer you to watch free movies online use a script to collect your sensitive information, including any credit card you have used on that computer to pay your bills, and unless your credit card companies get your back on the fraudulent transactions you will find yourself in deep troubles.

The other way those sites might get you in trouble is by really finding yourself facing legal charges.

The famous example that took the Internet by storm a few years ago was when a woman illegally downloaded 24 copyrighted songs. Her sentence was $4 millions in fines!

That kind of sentence could financially break any middle class family.